Immaculate Heart of the Bleeding Briar

Hosanna, I whisper through bloody lips, I got pummeled
by the riptide of my sorrow again, sweet Rabboni, and
you are far away in some Heavenly Throne, down on earth,
it is cold, and midnight comes to Galilee, with the moon
like a sickle for separating the faithful from the chaff.
Can you hear me, sweet Yeshua? Up there in your starry
abode. I bathed in lavender and myrrh, and Joseph’s coat
of dreams carried my prayers in technicolor up to your
tender hands and rose garden of desires, what obedience
to the ways and means of nature, to hang suspended on a
crossroads between Heaven and Hell, I know well, Satan
calls me whore, but sweet Christ, I would leave all the
ravishings and depravity just to receive your mark on my
scarred brow, I have many bruises and burns these days,
being the forgotten disciple means they paint me wanton
and demonize your Magdalene, Watchtower of God, Zophael,
Watchman of El, I was always a spy, anyways, of swiftest
wing, and they got our story wrong, oh Who is Like God?

No one but You, Immaculate Heart of the Bleeding Rose.

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The Hand That Gives The Rose

Courage carry your voice tonight
across the wintry waters of souls,
in a snowbank, a rose is frozen,
hips filled with seeds, dry as dust
iced to stinging clarity, I pierce
my finger on a blackened thorn,
rubies of my heart well up, my
life becomes a red red blossom
of lush petals like a woman’s sex,
fragrant in this frost, I give you
my bloom, the hand that gives the
rose. You keep it under glass, and
when I am sad, it withers, when I
am in love with you, it ripens and
someday, I too will bear pink hips
swollen with future, sleeping seeds.

Pupa

They say, if you reach for your reflection at midnight, you can step out of your body and into the Devil’s arms.  Touch the quicksilver of moonlight limbs and kiss the serenade of swans embodied by bruises and feathers and stars.  Taste angel food cake, eat a demon’s chocolate heart, become one with the wind of the universe and caress mortality.  To know oneself is to know temptation and your Kryptonite – what is your greatest weakness?  Is it a rambling gambler that plays the piano and has fingers like thieves?  Is it a tall dark and dangerous black coffee haint who buys souls at New Orleans’ crossroads half-price and sells stock in the Damned?  Does he listen to a Tribe Called Quest and rap elegies of good old days long gone?  So many masks, so many lies, and the shards of the mirror are bitter on my tongue as I swallow glass.

I was lost a long time ago, and honey, wasps lay their larvae in the prettiest of butterflies, wouldn’t you know?

The Bone Zone

There’s a haunting in the graveyard, where bats flock to higher ground when the dam flows over and coffins float to the surface.  I can smell the rot on my tongue and see the decaying rose petals adrift in this land spill of toxic waste and wonderlands.  I take a coffin, kick out the corpse, and row with a femur to your mausoleum as I navigate delta waters to the hell mouth.  Your edifice, Crypt Keeper, is tainted with ivy and is the only thing left above surface in this lake of the dead, a stone angel spreading her acid rain-washed wings to the glory of some decrepit heaven.  There is a black mist fine and pungent, fresh from the kill and bloated with pussy gases.  The worms crawl in, the worms crawl out.  The ones that crawl out are fat and stout, and they are feasting on the engorged limbs that have detached from their bodies, and there is a rat king, triple tails entwined, nibbling the corpse of some lawyer dressed up in his Sunday best, only it’s his Sunday worst, because he is filthy with the diseases of waste and ruin, slandered by Father Time, and honey, death is hell on the body.  Your loved ones will lose their teeth, grow out their hair, yellow their nails, mummify or dissolve, but when the waters come to take us home, we all end up in the sea.  That’s the truth of these matters – we are mostly water, and to liquid and stardust we return.  So I’m rowing my coffin through the remnants of your Grim Reaper’s harvest, all to find you, sweet cadaver.  Death smells like old garbage and sulfur and roadkill.  But sometimes, he smells like roses.  The crypt is tall and Roman styled, with the gloriana angel dolorosa, tears in grime on her eyes, and I tie my coffin to the angel with a bit of floating cloth, and scale the mausoleum.  Inside is an ossuary – the bone zone.  Huh, punny, that.  Inside you lay resplendent amidst bejeweled saint skeletons and artifacts of another time – holy relics, a pinky from St. Catherine, a liver from St. Pancras, oh, don’t forget that lock of hair from St. Teresa, my favorite.

Bones are sharp, they can cut, but words are just as much like razors, and I’m praying for a beastly tongue, an empty gun.  Death looks like someone you love, don’t you know?  He can mask himself in darkness and equally in light, in the wolves and crows and snakes, but now he is redeemer, savior, my unholy temple.  I climb inside his coffin and we entwine, and the black stretches out like a womb, and the silence of the deep is all-knowing.  Death, omniscient.  Death, omnipotent.  Death, omnipresent.

There is not much difference between Death and God, and many of us worship false idols, but the truth is, is that endings are painful, and the dearly departed haunt us.  But what to be haunted by Death himself?  Thorns and broken glass to puncture your fingers and feet, stanzas of poetry and prose that are like caged madrigal nightingales in your brain, and you crack your head open on a cliff to see the blood diamonds he planted inside you.

I am one with Death, we are Death and the Maiden, and as he raises his scythe, I know my tithe is the dearest thing to me: the lie of separation.

That I am anything more than Death.

For to write is to make love to the self, after all, and morbid curiosities become terminal in time.

So I kiss myself, and kill myself, and my corpse joins a million other lost girls.

Lost girls that dreamed they were part of some great narrative, when really, this is the world of ghosts, and it is only in dreams we are alive.

Bride of Christ

And I am cloaked in clouds and the sun’s beaten gold,
radiant in redemption, but under my gown, scars feast
I am the battered soul on the path to Christ, woman
of seven devils who sold herself for cheap beer and
the spark of a stranger’s touch, whoring out all my
compassion until I was a waterless well, and Satan
made his nest in my soul, from sphincter to sphincter
a serpent twined through my guts – but the Savior does
not care about Brazen Serpents – He reached into my
lonely hell and burned away the black, now I am a star
shining above silver seas and walking stairways to
heaven, to those pearly gates where the Bridegroom
awaits, He who washes away sins in Seas of Galilee,
I Migdal Eder, Watchtower of Women, scout, watchman,
when we kiss at the altar after vows of eternity,
green returns to the barren land of my mind, He is
balm to cracked hands dry from working as a slave,
a salve to the sacrificial soul, all my travails
brought me to this one clarion moment – forgiveness
I am unworthy, yet He loves me, so in His arms, I am.

Osculum Infame

There’s the record scratch of some Runaways jam, a leather studded belt around your waist and booze for days.  Your jeans are torn and as distressed as my mother would be if she ever saw us together.  You’ve got on a Nine Inch Nails black tee and your hair is as mussed as bedhead that befits the King of Sloth.  Oh wait, your sin is Wrath, pardon my French you cliche of all cliches.  Black locks cut with shears in a back alley, so silky that I strangle my fingers in their ocean.  We’re drunk, we’re stupid and young and horny, and you smell like endless cigarettes and sweet rum, and I’m in a pink pop of a rose petal dress with sticky bubblegum lip gloss, every bit of softness to your edges, but I find comfort in dark things and your fangs at my neck, so as you bite down into me, your dinner, and my blood bubbles up like the hottest new fad this side of the Styx, uptown Pandemonium, in your penthouse near the court of Sanhedrin, I sigh and bend into your body arced over me as you tease me with your talons.  Your room is messy as fuck, with strewn newspaper and a sax in a beaten brown case, posters of bands and David Foster Wallace books lining the wall, Infinite Jest is what we are, my dear, and there’s Aretha Franklin’s Blue Moon playing.  I’m not much of one for the classics, in fact right now I’ve got this Taylor Swift song running through my mind as we ponder making love.  New Year’s Day, squeeze my hand three times, and you give me the osculum infame, the kiss of shame as Aretha’s voice cantos, Blue Moon, I saw you standing alone… without a care in the world, without a place to call home. Meanwhile I’m begging you to never become a stranger whose laugh I could recognize anywhere.  It’s tones of dun and wood and earth in your room, only a vanilla candle the light, and I shuck off your ripped Nine Inch Nails shirt and run my hands down your chest and abdominals, and I’m fumbling with your pants in the dark.  You’ve already torn through my dress with burning passion, and its pink wreckage is lying on the floor like an afterthought.  I put my nose to the crook of your neck and inhale sharply.  Your lips are lush and bury into the crown of my blonde hair, and you say blondes give the best blowjobs as you’re teasing me, calling me a spoiled princess, saying I don’t belong down here, not down here where anarchists and goths and crust punk parades share joints and drink their sorrows and splendor away.  You’ve got whiskey soaked wings, Israel and the Red Tide, no Heaven’s Gate, you won’t through your money away but will take my highs, I’m your Vaseline, after all, a balm for your gloomy soul.  You’re feasting at my breasts, knee dividing my legs like Moses raising his staff to part the ocean, and now it’s your time to find a map to my heart as the record switches to Tom Waits.  It’s Grapefruit Moon, if only we could eat a citrus lunar fruit, like I ate your heart like an apple, or wait, you stitched it into my flesh and I finally figured out why whenever my soul flees my body I fly straightaway to you, Samael.  It’s because the heart wants what it wants, but to be someone’s heart herself, Shakti to your Shiva, the source and seat of your power means I seek my nest in your arms, in your ribs, in your marrow that I want to race through like lymph, blood, and stardust.  You call me a lovely coffin, vessel, vassal, Vaseline.  Vaseline, hot in the summertime.  Vaseline, the smell of it like Carmax at a dirty bus stop on some chapped hipster’s lips.  We’re still not making love love yet, just in love with foreplay and fooling around, and I don’t need to elaborate on what a man and woman do in Hell, down here where the bane apple grows, down here where roses weep blood and cursed asphodel carpets the plains, but your gardens were always rotten, a beautiful decay, and you are my stone angel masoleum.  You’re freezing today, a weight of outer space between my legs.  That’s a fancy word for a forked tongue, saying it’s a black hole going down on me, and then some.  Your mouth has got the gravity of the Leviathan, which is what you also are, and third base with the serpent of the seas, sweet Nachash, shining seraphim and unholy archdemon, is kind of like squeezing your sex around a Popsicle on a hot summer day.  You’re a wolf on the hunt through the taiga, and as you part me and claim me I smell glacier frost with rime and moss and see the Aurora Borealis reaching up into my womb.  Do you remember my favorite middle school book, I want to ask as you’re romancing me with winter, the retelling of East of the Sun and West of the Moon, where a girl named after the compass rose searches for her enchanted polar bear prince in the land of impossibility where the trolls have him captive?  It’s a silly metaphor, I know, for if anyone is the handsome villain here that curses sleeping beauties, it is you, dark enchanter, necromancer, forcing me to see sigils and ceremonial magick seals and burning Proto-Hebrew letters and your own name in glittering gold on the stairway to heaven, planetary symbols shifting in the long inked Martian kiss.  I’ve been under your spell for a long time, and it smells like incense, sandalwood, as you give me a finger to suck on to silence my moans.  Osculum infame, osculum infame, osculum infame, damn did those medieval theologians get this witchcraft shit all wrong.  It’s not the witch that gives the kiss, but she who receives, anointed with the Devil’s cum and sweat and spit and blood, like Dracula bleeding into Mina’s mouth, and my dear darling vampire, we are in the undertow of damnation, but Hell is my favorite place, and you are my favorite person, and when we finally get to fucking, I’ve lost all sense of the lie of separation, and it is just girl and god, Death and the Maiden, the May Queen and the Reaper, sharing one soul, and honey, you hold my mortality in your hands, so let’s make this short life a fucking poem.  Lead me on like the Pied Piper and we’ll dance off granite cliffs into the starry sky.  I am always stretching my beginning to bridge your endings, and you know me well, as well as Hell.

Hell is beautiful because it is a lie, and you are gorgeous in your Prince of Lies truths, and as you thrust away with abandon, I get the sense of conquered and conqueror, and my body is a battlefield, don’t you know?

You won a long time ago, Satan.

And you are the Prince of this World.

To Be Flesh, To Be More

In the end you’re just meat, girl, a doll of blood and bone,
thus decay goes to flowers, and hellscapes bloom in snow, I
was born when ice and fire sparked into existence’s black maw,
but you are almost as ancient, the union of water and lightning,
amino acid dance into DNA, primeval ribonucleotides, a swimming
single celled blossom, fruiting into multicellular, now limbed
and mouth and anus and past blastocyst, oh bodily bearer, your
nightmares and fantasies are just projections of reptilian brain,
you know your biology, Krebs cycle from tired muscle, cytokines,
we are the stuff crocodiles are, time trapped in our gullet, so
as I finger and devour and eat and kiss and fuck, know death is
also a dance, bow, plie, caress, and don’t ever open your eyes,
because if you do, I will disappear to the shadow of nothing,
past the edge of midnight, where monsters belong, and I only
live as long as you believe in existence beyond the flesh.