Churning Literary Butter

So my manuscript is with 11 amazing agents right now – 3 fulls and 7 partials ranging from 10-50 pages. I just got a lovely rejection from a great agent saying there was nothing wrong with my manuscript, just that he didn’t click and had to be very selective in taking on clients, which made me feel great, as instead of getting feedback to improve on as I was in 2016, that means my manuscript is at the point where I just need the right agent to come along and fall in love with it, like the Taylor Swift song, where some literary magic happens. One agent from #DVPit has already said they were immediately sucked in to the first twenty pages and had a mighty need to read the rest and extended me a full request this weekend, almost overnight, and she is oodles of awesome. I’m pretty excited about that one. 🙂

My top picks are Brandon Sanderson’s agent, Meg Cabot’s agent, a new agent at Aevitas that seems like my spirit animal, and a former St. Martin’s Press Editor that is amazing and fun. All the rest are amazing too – I only query agents I think would be good fits for me.

So I still have eleven shots at making this manuscript work, which is more than the two I had in February. Doing revisions for the first two agents opened the door to so much possibility. And I’m ready to play with Ivan Kupalo again, to make it even better. I think chances are pretty good that I have a shot at a literary agent – the rejections I’ve gotten (3 out of 15 so far) have all been complimentary and one Big Name Agent with lots of six figure deals even asked for me to resubmit if I ever revised the beginning. It was good to put away Ivan Kupalo and work on Chwal, and I’m hoping to finish Chwal for Pitch Wars in August. But I might go with Space Oddity because that is such a fun manuscript.

I am so grateful to all these amazing literary agents that have cheered me on and believed in me, even if they ultimately did not take me on. When I cried at my first full rejection from Neil Gaiman’s agent at the tender age of 21, at 24 I take rejections with gusto and save them in an email folder so I can carry around a bag of them like Meg Cabot does (she actually hides it under the bed), maybe frame them on my wall (especially the one from Marion Zimmer Bradley’s agent on the full he got back to me in six days, haha).

Something magic is afoot. My second short story may soon be getting published by Pantheon Magazine as it moved past the fiction team and is under consideration by the editors. Simon and Schuster just requested my romance novel. I finally feel like I’ve got novel-writing a little bit figured out, and I’m barely 24. If you had told the 21 year old who had never completed a novel in her life that in three years time she would have gotten full or partial requests from the top ten fantasy agents in the business she wouldn’t have believed you. My dreams are so close to fruition, and at Beltane’s balefire I pulled an envelope with my future Tarot card – 8 of Cups, the wish card – your dreams are close at hand.

My dreams are so close. Like stars I can pluck from the sky. And it all happened because I worked through writing horrible stories since the age of 11 onwards to ones I’m proud of now. I wrote horrible query letters for two years before I learned how to actually write something that didn’t give agents a gag reflex. I blame youth and stupidity. 😛

So basically I’m just really excited. I’m going to let Ivan Kupalo rest and I’m kind of actually hoping for a conditional R&R or editorial agent as I would love to rework some bits and bobs after having not touched it since January. In the interim I have two novels to work on, flash fiction, short stories, and reams of poetry.

Even if I never get an agent, I’ll still be happy, because writing is like breathing to me.

And that’s enough to churn butter.

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